Iconography of Evil: 16th-Century Tapestries of The Seven Deadly Sins at Royal Collections Gallery

This exhibition brings together two exceptional 16th-century tapestry series by Pieter Coecke van Aelst from the Patrimonio Nacional collection, exploring the iconography of the Seven Deadly Sins. Visitors can compare visual narratives and understand the evolution of moral thought in the Renaissance through these masterful textile artworks.

For the first time, the exhibition "Iconography of Evil. Tapestries of 'The Seven Deadly Sins'" presents two exceptional tapestry series from the Patrimonio Nacional, commissioned in the 16th century and reflecting the mastery of Pieter Coecke van Aelst and the significance of textile art for the Spanish monarchy. Coecke van Aelst, a Flemish painter and designer, created cartoons for these tapestries that were later woven. The exhibition features six surviving tapestries from the Count of Egmont series and four from the set belonging to Mary of Hungary, arranged to allow comparison of their visual narratives and to understand the evolution of Renaissance moral thought. The exhibition is further enhanced by five displays focusing on the symbolism of these sins, the production of tapestries in Flanders, their arrival in Spain, their function at court, and their status in modern times. It encourages reflection on art as a vehicle for moral teaching and an expression of power, while highlighting the exceptional survival and study of these tapestries, which are crucial for understanding Spain's textile heritage.

General admission is 14€, with an exclusive rate of 6€. The Royal Collections Gallery and temporary exhibitions are accessible from Plaza de la Armería, while group visits and temporary exhibitions can be accessed from Cuesta de la Vega.