This exhibition summarizes the recent two years of Nadia Markiewicz's artistic output, with a particular focus on performance art. It draws a connection between disability and entertainment, using the metaphor of a circus illusion show.
This exhibition serves as a comprehensive review of Nadia Markiewicz's creative work over the past two years, with a significant emphasis on her engagement with performance art. The artist's interest in this medium naturally emerged from her research into the intersections of disability and entertainment. Central to the exhibition is a reference to a circus magic show, which the artist uses as a metaphor for her own experiences. As a person with a left forearm amputation, she wore a prosthesis for many years, creating an illusion of ability for others.
The exhibition features a collection of props and costumes that have accompanied her performances, presented in a manner reminiscent of stage presentations. In these roles, she embodies figures such as a dove from an illusionist act, whose wings are clipped to prevent it from flying too far after being produced from a hat. She also appears as a rose, finding analogies for her own uncanny body in natural mutations. Additionally, she embodies a deck of cards, where the choreography of covering and revealing relates to her personal experience of concealing her disability.
Markiewicz is interested in creating a new image of disability, one that relates to concepts of mystery and extraordinariness, encapsulated in the exhibition's title, 'Misterioso'. Paradoxically, this category was present in 19th-century circus 'freak shows' before they were banned, after which disability was moved into the medical sphere, dominated by pity and external control over unusual bodies. Today, the artist emphasizes the opportunity she has to create her own representation of her lived experience, viewing this as a liberating and radical act.