Gülşah Ayla Bayrak's exhibition 'The Start of Something' translates the experience of Orientalism into pictures, performances, and objects. It critically examines the stereotypical representation of Turkish culture in Western art history, drawing inspiration from classical paintings to create a new visual language.
In 'The Start of Something,' Belgian artist Gülşah Ayla Bayrak confronts the legacy of Orientalism, inspired by her encounter with Ingres' 'La Grande Odalisque.' The exhibition delves into the Western perception and imagination of Eastern cultures, highlighting the sexualized and stereotypical representations prevalent in art history. Bayrak utilizes collage and staging, merging pop and internet culture with cultural symbols to forge a unique visual language that proposes a meeting ground between East and West in Eurasia.
The exhibition is further enriched by two associated workshops: 'Bloody Hamam - the beginning of the action,' an in-person session exploring migration, identity, and representation through critical visual language, and 'Al Kiz - a change in direction or reversal,' an online workshop focused on reinvention and transformation, inviting participants to create short videos. These workshops, part of Bayrak's broader project, aim to foster dialogue on themes central to her artistic practice.
Bayrak, a multidisciplinary artist with roots in Turkey and Georgia, uses her work to explore individual experience, cultural diaspora, and societal roles, seeking to dissolve the perceived borders between East and West. This exhibition is presented as part of 'Kısmet,' a multi-year project by Studio Polat and Foam dedicated to Turkish visual culture.