This exhibition explores the connection between traditional Spanish jewelry and contemporary design, examining the roots and transcendence of modern jewelry within the broader concept of fashion. It features around 200 pieces, including items from the Museo del Traje's collection and loans from other institutions and private lenders.
Escultura tímida delves into the intimate relationship between traditional jewelry and contemporary Spanish design, tracing the lineage of modern adornment within the extensive collection of the Museo del Traje and through significant loans. The exhibition intentionally eschews strict chronology, instead focusing on the thematic resonance, symbolic power, and collective dialogue generated by these small, personal sculptures that become integral to identity. Curated by Concha Herranz and Helena Rohner, with museography by Marta Muñoz, the display juxtaposes traditional pieces with creations from representative contemporary Spanish jewelry artists. This approach highlights the enduring creativity that links different forms of jewelry making and conceptualization, examining how the act of adorning ourselves allows for distinction, self-expression, and the integration of personal sentiments and beliefs into objects that carry profound individual and collective meaning.
This project, part of the Madrid Design Festival, features approximately 200 pieces, many drawn from the Museo del Traje's own archives, supplemented by contributions from institutions like the Disseny Hub Barcelona and the Museo de Artes Decorativas de Madrid, alongside numerous private lenders. The exhibition aims to lay the groundwork for a new narrative of Spanish jewelry by focusing on the shared elements that revitalize the enduring creativity across different eras and styles. It moves beyond mere historical presentation to foster a personal and collective understanding of jewelry as intimate sculptures that define and enhance our identity.